"Tito Manlio, RV 738, Act II, Scene 8: Recitativo" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone was released on November 2, 2005. The duration of Tito Manlio, RV 738, Act II, Scene 8: Recitativo is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Tito Manlio, RV 738, Act II, Scene 8: Recitativo's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Tito Manlio by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone. The song's track number on the album is #13 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Tito Manlio, RV 738, Act II, Scene 8: Recitativo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Tito Manlio, RV 738, Act II, Scene 8: Recitativo by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tito Manlio, RV 738, Act II, Scene 8: Recitativo being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
The 4 Seasons: Violin Concerto In G Minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | G Minor | 4 | 6A | 168 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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