"Beethoven Symphony No. 9: "All Men Shall Be Brothers"" by Ludwig van Beethoven, André Rieu, Johann Strauss Orchestra was released on January 1, 2009. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 15 in Andre Rieu: Greatest Hits by André Rieu. Based on our statistics, Beethoven Symphony No. 9: "All Men Shall Be Brothers"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven Symphony No. 9: "All Men Shall Be Brothers" by Ludwig van Beethoven, André Rieu, Johann Strauss Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dove non so (Somewhere My Love - Lara's Theme) | Paul Potts | C Major | 3 | 8B | 80 BPM | ||
Adieu, Mein Kleiner Gardeoffizier - Live Version | Robert Stolz, André Rieu, Johann Strauss Orchestra | E♭ Major | 6 | 5B | 121 BPM | ||
Messe solennelle de Sainte Cécile (1988 Digital Remaster): Sanctus | Charles Gounod, Pilar Lorengar/Heinz Hoppe/Franz Crass/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/Jean-Claude Hartemann, Jean-Claude Hartemann, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 2 | 10A | 77 BPM | ||
Ich tanze mit dir in den Himmel hinein | Friedrich Schröder, André Rieu | A♭ Major | 4 | 4B | 128 BPM | ||
Espana, Waltz, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 4 | 7B | 118 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | ||
Waltz From "Die Fledermaus" | Andre Kostelanetz | F Major | 4 | 7B | 105 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Carlo Maria Giulini, Orchestra Del Teatro Alla Scala, Milano, Milan La Scala Philharmonic Orchestra | F Major | 0 | 7B | 73 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM |
Section: 0.7127034664154053
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