"Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 13 in G Major" by Mario Castelnuovo-Tedesco, Brasil Guitar Duo was released on June 30, 2009. The duration of Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 13 in G Major is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 13 in G Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 26 in Castelnuovo-Tedesco, M.: Music for Two Guitars, Vol. 2 - Fuga Elegiaca / Les Guitares Bien Temperees: Nos. 13-24 by Mario Castelnuovo-Tedesco, Brasil Guitar Duo. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 13 in G Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 13 in G Major by Mario Castelnuovo-Tedesco, Brasil Guitar Duo is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Valses poéticos, H. 136 (Arr. for Cello & Guitar by Anonymous): No. 1, Melodico | Enrique Granados, André Fischer, Sébastien Singer | A Major | 1 | 11B | 108 BPM | ||
E.Pujol: Tres Piezas Espanõlas - 3. Guajira | Emilio Pujol, Aniello Desiderio | D Major | 1 | 10B | 105 BPM | ||
Sonata in a Major, K. 322 | Domenico Scarlatti, Scott Tennant | A Major | 2 | 11B | 111 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Jácaras | The Anonymous, Los Angeles Guitar Quartet | D Major | 3 | 10B | 112 BPM | ||
Sonatina, Op. 205: II. Tempo di Siciliana. Andantino grazioso e malinconico | Mario Castelnuvo-Tedesco, Mario Castelnuovo-Tedesco, André Cebrián, Pedro Mateo González | A♭ Major | 1 | 4B | 73 BPM | ||
Cuba | Isaac Albéniz, David Russell | E Major | 0 | 12B | 77 BPM | ||
Desert Blooms | Jeffrey McFadden | E Minor | 0 | 9A | 180 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 17 in D Major | Fernando Sor, Timo Korhonen | D Major | 0 | 10B | 79 BPM |
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