Kurt Weill, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton's 'Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo' came out on January 1, 1976. The duration of Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo is about 3 minutes long, at 3:04. Based on our data, "Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #9 out of 42 tracks. The popularity of Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo by Kurt Weill, Philip Langridge, Ian Partridge, Benjamin Luxon, Michael Rippon, London Sinfonietta, David Atherton has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Mahagonny Songspiel / Part 1 - Prologue: 1. Off To Mahagonny - Allegro non troppo being at 174 BPM, the half-time would be 87 BPM with a double-time of 348 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Dreigroschenoper: Overtüre | Kurt Weill, Rias-Sinfonietta Berlin, John Mauceri | F Major | 1 | 7B | 96 BPM | ||
The Unanswered Question | Charles Ives, Alison Balsom, Scott Stroman, Britten Sinfonia | F Major | 0 | 7B | 173 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
Amarcord - Suite: 2. La Fogaraccia | Nino Rota, Filarmonica della Scala, Riccardo Chailly | D Major | 6 | 10B | 132 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM |
Section: 0.5931270122528076
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