On September 24, 1991, the song "It Must Be Jelly ('Cause Jam Don't Shake Like That) - Remastered - June 1991" was released by Glenn Miller. The duration of It Must Be Jelly ('Cause Jam Don't Shake Like That) - Remastered - June 1991 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. It Must Be Jelly ('Cause Jam Don't Shake Like That) - Remastered - June 1991's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 287 in the song's album "The Complete Glenn Miller and His Orchestra". In this album, this song's track order is #18. In terms of popularity, It Must Be Jelly ('Cause Jam Don't Shake Like That) - Remastered - June 1991 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With It Must Be Jelly ('Cause Jam Don't Shake Like That) - Remastered - June 1991 by Glenn Miller having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charleston Crazy | Marion Harris, Blossom Seeley | E♭ Minor | 4 | 2A | 103 BPM | ||
The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | ||
Tea For Two | Benny Goodman Quartet | A♭ Major | 4 | 4B | 130 BPM | ||
Uptown Blues | Jimmie Lunceford | C Major | 3 | 8B | 90 BPM | ||
Long Ago & Far Away | Geraldo & His Orchestra | A♭ Minor | 1 | 1A | 103 BPM | ||
On the Sunny Side of the Street | Lionel Hampton | G Minor | 2 | 6A | 88 BPM | ||
Four Brothers | Woody Herman & His Orchestra | A♭ Major | 5 | 4B | 110 BPM | ||
Cheek to Cheek | Fred Astaire | C Major | 2 | 8B | 162 BPM | ||
It´s Been A Long Long Time | Bing Crosby with orchestra | D♭ Major | 2 | 3B | 60 BPM | ||
I'm Stepping out with a Memory Tonight | Jimmy Dorsey & His Orchestra, Helen O'Connell, Bob Eberly | F Minor | 2 | 4A | 129 BPM |
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