Kumar Gandharva, Vasundhara Komkali made "Avdhoota - Piyaji Mhare Naina Aage" available on March 27, 2023. The duration of Avdhoota - Piyaji Mhare Naina Aage is about 3 minutes long, at 3:02. Based on our data, "Avdhoota - Piyaji Mhare Naina Aage" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 15 in Classical Maestro Pandit Kumar Gandharva by Kumar Gandharva. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Avdhoota - Piyaji Mhare Naina Aage is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Avdhoota - Piyaji Mhare Naina Aage by Kumar Gandharva, Vasundhara Komkali is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shree Yamunashtakam - Traditional Raag | Female Chorus | D♭ Major | 4 | 3B | 100 BPM | ||
Kanada Raja Pandharicha | Sudhir Phadke, Vasantrao Deshpande | D♭ Minor | 6 | 12A | 103 BPM | ||
Darshan Do Ghanshyam | Manna Dey, Sudha Malhotra, Hemant Kumar | D♭ Major | 1 | 3B | 93 BPM | ||
Shankara Mahadeva Deva | Sreekant Krishnamurthy | E Major | 7 | 12B | 119 BPM | ||
Paye Pari Baghmama | Anup Ghoshal | A♭ Major | 3 | 4B | 97 BPM | ||
Saraswati Stuti (Saraswathinamah Sthubhvam) | Sunanda Sharma | B♭ Major | 1 | 6B | 89 BPM | ||
Kata Rute Kunala | Jitendra Abhisheki | F♯ Minor | 5 | 11A | 79 BPM | ||
Sindoor Lal Chadhayo | Pranita | D♭ Major | 4 | 3B | 174 BPM | ||
Anjaneya Ashtothara Shatanaama Stotra | Narsimha Nayak | B Minor | 7 | 10A | 90 BPM | ||
Ae Husn-e-Beparva | Ghulam Ali | D♭ Major | 5 | 3B | 112 BPM |
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