Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli's 'Tannhäuser, dritter Akt: Dahin zog's mich' came out on January 1, 1961. The duration of Tannhäuser, dritter Akt: Dahin zog's mich is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Tannhäuser, dritter Akt: Dahin zog's mich's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Richard Wagner: Tannhäuser". In this album, this song's track order is #31. Based on our statistics, Tannhäuser, dritter Akt: Dahin zog's mich's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tannhäuser, dritter Akt: Dahin zog's mich by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: XIII. Et resurrexit | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Minor | 2 | 5A | 134 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Turandot: Act I: Popolo di Pekino! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Mefistofele: Prologue - Salmodia Finale - Salve Regina! | Arrigo Boito, Riccardo Muti | A Major | 2 | 11B | 104 BPM | ||
Carmina Burana, Pt. 2: No. 14, In taberna quando sumus | Carl Orff, Atlanta Symphony Orchestra, Robert Shaw | D Minor | 1 | 7A | 138 BPM | ||
Requiem: II. Dies irae "Mors stupebit" | Giuseppe Verdi, London Symphony Orchestra, Michele Pertusi, Gianandrea Noseda | D♭ Major | 0 | 3B | 76 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Eine Hex', steinalt" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 83 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. I, Scène I - "Le vieil hiver" | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Bryan Hymel | D Major | 1 | 10B | 172 BPM | ||
Jenufa / Act 2: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Major | 0 | 3B | 91 BPM |
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