Molinaro Simone, Konrad Ragossnig, Dieter Kirsch's 'Ballo detto "Il Conte Orlando" - Saltarello' came out on January 1, 1985. The duration of Ballo detto "Il Conte Orlando" - Saltarello is about 3 minutes long, at 3:09. Based on our data, "Ballo detto "Il Conte Orlando" - Saltarello" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 43 in the song's album "Terpsichore: Renaissance and Early Baroque Dance Music". In this album, this song's track order is #20. In terms of popularity, Ballo detto "Il Conte Orlando" - Saltarello is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ballo detto "Il Conte Orlando" - Saltarello by Molinaro Simone, Konrad Ragossnig, Dieter Kirsch having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite En Mi Mineur: Menuet, II.108 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | E♭ Minor | 2 | 2A | 78 BPM | ||
Partita BWV 1007 V. | Christian Zimmermann | D♭ Major | 3 | 3B | 131 BPM | ||
Suite in D Minor: II. Tombeau de Mezangeau | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
La Guitarre Royalle: Fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 0 | 3B | 86 BPM | ||
Almaine | Richard Dering, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | G Major | 0 | 9B | 133 BPM | ||
Allemande | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM | ||
Suite in F-Flat Minor: VII. La chèvre | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Gerle : Newsidler : Scaramella | Heringman | D Major | 1 | 10B | 88 BPM | ||
La Guitarre Royalle: Autre fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | B Major | 0 | 1B | 99 BPM | ||
Suite in A Minor: II. Allemande | Françoise Dufaut, Lutz Kirchhof | A♭ Minor | 1 | 1A | 67 BPM |
Section: 0.5903010368347168
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