"Laudate Dominum omnes gentes à 12: 5a parte - Ne derelinquas amicum antiquum" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. The duration of Laudate Dominum omnes gentes à 12: 5a parte - Ne derelinquas amicum antiquum is about 3 minutes long, at 3:15. Based on our data, "Laudate Dominum omnes gentes à 12: 5a parte - Ne derelinquas amicum antiquum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 26 out of 34. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Laudate Dominum omnes gentes à 12: 5a parte - Ne derelinquas amicum antiquum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudate Dominum omnes gentes à 12: 5a parte - Ne derelinquas amicum antiquum by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Lassus: Ave Regina caelorum | Orlande de Lassus, Peter Phillips, The Tallis Scholars | F♯ Major | 1 | 2B | 68 BPM | ||
Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
Perch'io veggio, e mi spiace à 4 | Orlande de Lassus, Orlando di Lasso Ensemble | B♭ Major | 1 | 6B | 82 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Gloria patri | Francesco Corteccia, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 79 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM |
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