"Suite From The Lion King: This Land / Circle Of Life" by Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers was released on April 1, 1995. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "The Magical Music of Disney". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite From The Lion King: This Land / Circle Of Life is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite From The Lion King: This Land / Circle Of Life by Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Émigré, Act I: Shanghai | Aaron Zigman, Matthew White, Arnold Livingston Geis, Members of the New York Philharmonic Chorus, Lanzhou Concert Hall Choir, Shanghai Symphony Orchestra, Long Yu | D♭ Minor | 3 | 12A | 163 BPM | ||
Bicycle Chase (From "E.T. The Extra-Terrestrial") | John Williams, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 2 | 7B | 136 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: I. Overture | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Hans Zimmer: Film Music Medley - From the Films "Inception", "Interstellar", "The DaVinci Code", "Gladiator" & "James Bond" | Hans Zimmer, Claudio Ferrarini | E Minor | 3 | 9A | 62 BPM | ||
It's a Small World (Arr. K. Whitcomb) | Richard M. Sherman, Robert B. Sherman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers, May Festival Chorus, School for Creative Performing Arts Children's Chorus | D Minor | 4 | 7A | 125 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM | ||
Alcina, HWV 34, Act III: Ma quando tornerai | George Frideric Handel, Cecilia Bartoli, Les Musiciens du Prince-Monaco, Gianluca Capuano | E Major | 4 | 12B | 129 BPM | ||
Wunderkammer: II | Danny Elfman, Joann Falletta, Royal Liverpool Philharmonic Orchestra | B Major | 1 | 1B | 77 BPM | ||
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM | ||
Tail Orchestra - Symphony No. 1: I. "Toothbrush” | Pedigree® Tail Orchestra, Chestnut | F Minor | 2 | 4A | 87 BPM |
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