- BPM
- 62
- Key
- F♯ Minor
- Camelot
- 11A
Milonga - Arr. Paco Peña - Paco Peña, Ely "La Gambita", Antonia Gomez Information
- Acousticness
- 95%
- Danceability
- 42%
- Energy
- 12%
- Instrumentalness
- 79%
- Liveness
- 8%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 40%
- Popularity
- 6%
- Loudness
- -21.631 dB
Summary
Paco Peña, Ely "La Gambita", Antonia Gomez made "Milonga - Arr. Paco Peña" available on January 1, 2004. The duration of Milonga - Arr. Paco Peña is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Milonga - Arr. Paco Peña's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Fabulous Flamenco!/La Gitarra Flamenca by Paco Peña. Milonga - Arr. Paco Peña is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Milonga - Arr. Paco Peña BPM
The tempo marking of Milonga - Arr. Paco Peña by Paco Peña, Ely "La Gambita", Antonia Gomez is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Milonga - Arr. Paco Peña Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM | |
 | Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | |
 | Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | |
 | Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | |
 | Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | |
 | Arrival of the Queen of Sheba | John Keys | B♭ Major | 1 | 6B | 72 BPM | |
 | Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | |
 | Beautiful Savior (Arr. M. Wilberg) | Mack Wilberg, Traditional, BYU Men's Chorus | E Major | 1 | 12B | 130 BPM | |
 | Como Poden | Anonymous, Jessica Baran-Surel | A Minor | 5 | 8A | 155 BPM | |
 | Love Is Come Again | The Monteverdi Choir, John Eliot Gardiner | F Major | 2 | 7B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6672725677490234
End: 0.6709620952606201