"Nymphs and Satyr: I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra" by Howard Hanson, Doris Hall-Gulati, Holly Blake, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding was released on July 25, 2006. Since Nymphs and Satyr: I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Howard Hanson, Daniel Spalding's "Hanson: Concerto for Organ, Harp and Strings / Nymphs and Satyr" album is number 2 out of 8. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Nymphs and Satyr: I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nymphs and Satyr: I. Prelude - II. Fantasy for Clarinet and Chamber Orchestra by Howard Hanson, Doris Hall-Gulati, Holly Blake, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Piano Sonata in A Minor, Op. 11: II. Elegie herbique | Howard Hanson, Thomas Labe | D Minor | 1 | 7A | 176 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Two Elegiac Melodies, Op.34: The Last Spring | Edvard Grieg, Eastman Philharmonia, Howard Hanson | A♭ Major | 2 | 4B | 139 BPM | ||
Spirituals for String Choir & Orchestra: 2. Sermon - Bande originale du film "L'armée des ombres" | Eastman-Rochester Orchestra, Howard Hanson | C Major | 1 | 8B | 113 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM |
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