Silvius Leopold Weiss, Michel Cardin made "Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet" available on January 1, 2015. The duration of Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet is about 3 minutes long, at 3:16. Based on our data, "Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #39 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 6 in E-Flat Major, WeissSW 10: VI. Menuet being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata in C Major, WeissSW 37: II. Allemande | Silvius Leopold Weiss, Mauricio Buraglia | B Major | 1 | 1B | 66 BPM | ||
Suite in A Minor: III. Courante La Mignonne | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 131 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Concertina Etude in B-Flat Major (Transcr. D. Starobin) | Giulio Regondi, David Starobin | A Major | 1 | 11B | 76 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Prélude | Charles Mouton, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM |
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