Myron Alerander's 'Obscure Tweets' came out on March 2, 2021. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Pretty Moves". In this album, this song's track order is #9. The popularity of Obscure Tweets is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Obscure Tweets by Myron Alerander having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seems Like Yesterday | Misya | F♯ Minor | 0 | 11A | 160 BPM | ||
Vaivén De Melodías | Quintessential | E Minor | 0 | 9A | 80 BPM | ||
Memory | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM | ||
Prélude, Op. 11 No. 1 | Anatoly Lyadov, Yoko Kikuchi | G Major | 0 | 9B | 69 BPM | ||
Bagatelle in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Philippe Entremont | A Minor | 2 | 8A | 146 BPM | ||
Beyond the Clouds(Piano Melodi) | Waydark | D Minor | 0 | 7A | 131 BPM | ||
Beethoven / Compl. Ries: Piano Sonata in C Major, WoO 51: II. Adagio | Ferdinand Ries, Ludwig van Beethoven, Georges Pludermacher | D Minor | 1 | 7A | 147 BPM | ||
Glasperlenspiel No. 2 | Carlos Marquez | A♭ Major | 1 | 4B | 72 BPM | ||
Études for Solo Piano, Book 1: Étude No. 1 | Philip Glass, Vicky Chow | C Major | 0 | 8B | 77 BPM | ||
Silence of the night (Sad Piano) | Crying Cello | A Minor | 5 | 8A | 122 BPM |
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