"Die Walküre / Erster Aufzug: "Du bist der Lenz"" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Die Walküre / Erster Aufzug: "Du bist der Lenz" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #11. Die Walküre / Erster Aufzug: "Du bist der Lenz" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Walküre / Erster Aufzug: "Du bist der Lenz" by Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gurrelieder / Pt. 1: IX. Tove: Du sendest mir einen Liebesblick | Arnold Schoenberg, Sharon Sweet, Wiener Philharmoniker, Claudio Abbado | E♭ Minor | 4 | 2A | 130 BPM | ||
Messa da Requiem: 2d. Liber scriptus | Giuseppe Verdi, Marilyn Horne, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F♯ Minor | 0 | 11A | 89 BPM | ||
Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
Messa di Requiem, Offertorio: Hostias | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 76 BPM | ||
Turandot / Act 1: Popolo di Pechino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B♭ Minor | 2 | 3A | 82 BPM | ||
Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM | ||
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Tosca / Act 2: "Floria...Amore..." | Giacomo Puccini, Giuseppe Di Stefano, Leontyne Price, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 82 BPM |
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