"Three Highbrows We" by Jennifer Margaret Barker, Mark U. Reimer was released on January 1, 2007. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jennifer Margaret Barker, Various Artists's "Jennifer Magaret Barker: Nyvaigs" album is number 4 out of 7. On top of that, United States appears to be the country where this track was created. Three Highbrows We is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Highbrows We by Jennifer Margaret Barker, Mark U. Reimer to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
06 Worthington | Jennifer Margaret Barker, Jeffrey Jacob | B♭ Major | 2 | 6B | 166 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Feather Fletching | Joe Hisaishi | B Minor | 1 | 10A | 172 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Scaramouche, Op. 165d: II. Modéré | Darius Milhaud, Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
Interlude - From "2046" | Dirk Brossé, Brussels Philharmonic | A Major | 0 | 11B | 80 BPM | ||
虐め | Yutaka Minobe | E♭ Minor | 1 | 2A | 81 BPM |
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