"[Suite en Mi Mineur]: XVII. Le Tableau de l’Opération de la Taille (No. 108)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. The duration of [Suite en Mi Mineur]: XVII. Le Tableau de l’Opération de la Taille (No. 108) is about 3 minutes long, at 3:13. Based on our data, "[Suite en Mi Mineur]: XVII. Le Tableau de l’Opération de la Taille (No. 108)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 37 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en Mi Mineur]: XVII. Le Tableau de l’Opération de la Taille (No. 108) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en Mi Mineur]: XVII. Le Tableau de l’Opération de la Taille (No. 108) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Les Sauvages (Pièces de clavecin, 1728 - Les Indes Galantes) | Jean-Philippe Rameau, Pierre Hantaï, Skip Sempé | A Minor | 1 | 8A | 116 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
sopra Passemezzo moderno | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
For Several Friends: Suite in G Major-minor: I. Fantazie | Matthew Locke, Ensemble Masques | F Minor | 1 | 4A | 109 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Sonata No. 2 in G Minor, TWV 43:g1: I. Andante | Georg Philipp Telemann, La Rêveuse, Benjamin Perrot, Florence Bolton | A♭ Major | 0 | 4B | 111 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM |
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