"In Which We Are Introduced to Winnie-the-Pooh" by Andrew Scott Bell was released on February 15, 2023. The duration of In Which We Are Introduced to Winnie-the-Pooh is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. In Which We Are Introduced to Winnie-the-Pooh's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winnie-the-Pooh: Blood and Honey (Original Motion Picture Soundtrack) by Andrew Scott Bell. The song's track number on the album is #1 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, In Which We Are Introduced to Winnie-the-Pooh's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since In Which We Are Introduced to Winnie-the-Pooh by Andrew Scott Bell has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With In Which We Are Introduced to Winnie-the-Pooh being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 1/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thrawn's Inspection | Kevin Kiner, Sean Kiner | E♭ Major | 1 | 5B | 144 BPM | ||
Riding To Scarnsea | Alex Heffes | D Minor | 1 | 7A | 76 BPM | ||
Brain Storming | Kareem Abdelwahab | D Minor | 0 | 7A | 140 BPM | ||
Sovereign's Lullaby | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Journey to the Lost City | Alexander Johannes Uitz, Legendary Movie Orchestras | C Minor | 2 | 5A | 156 BPM | ||
Majestic Visions | Alexander Johannes Uitz, Hollywood Symphonic Soundtracks | C Major | 2 | 8B | 140 BPM | ||
The Helix | Ivan Duch | A Minor | 2 | 8A | 86 BPM | ||
Ralph's Sob Story | Chris Wirsig | D♭ Minor | 5 | 12A | 120 BPM | ||
Ducking Autocorrect | Dominic Lewis | A♭ Minor | 7 | 1A | 114 BPM | ||
Horns of Valhalla | Alexander Johannes Uitz, Blockbuster Soundtrack Masterpieces | A♭ Minor | 4 | 1A | 88 BPM |
Section: 0.49523496627807617
End: 0.5011136531829834