"Acompañar la Falseta, Llamada y Cierre" by Carmen Gamero, Victor M. Rosa, Manuel Salado was released on 2003. With this song being about 5 minutes long, at 5:26, "Acompañar la Falseta, Llamada y Cierre" by Carmen Gamero, Victor M. Rosa, Manuel Salado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 16 in El Baile Flamenco, Vol 5: Guajiras, Rumbas, Peteneras by Carmen Gamero. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. The popularity of Acompañar la Falseta, Llamada y Cierre is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Acompañar la Falseta, Llamada y Cierre by Carmen Gamero, Victor M. Rosa, Manuel Salado is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Por Ti To Daría Mi Vida | Chiqui de Jerez | F♯ Minor | 5 | 11A | 105 BPM | ||
Alegrías Baile Completo | Carmen Gamero, El Trini, Victor M. Rosa, Manuel Salado | D Major | 4 | 10B | 145 BPM | ||
Subida y Cierre | Carmen Gamero, Juan María Real, Manuel Salado | B Major | 3 | 1B | 103 BPM | ||
Tangos del olé y olé. Tangos | La Susi | F Minor | 6 | 4A | 89 BPM | ||
Fandangos de Huelva - Instrumental | Jose Galvan | F Major | 3 | 7B | 81 BPM | ||
Puente Genil Tierra Mía | Jimenez Rejano | F Minor | 7 | 4A | 121 BPM | ||
Ay, qué caray - Tangos | Luis de Córdoba | B♭ Minor | 8 | 3A | 101 BPM | ||
Chaconeando | Gaspar De Holanda | C Major | 5 | 8B | 150 BPM | ||
Fina como el terciopelo - Bulerías | Juanito Villar | D♭ Major | 3 | 3B | 115 BPM | ||
Macho Seguirilla: Cante, Baile y Guitarra | El Trini, Victor M. Rosa, Rafael García, Pedro Campos, Mariló García, Lurdes García | D♭ Minor | 4 | 12A | 81 BPM |
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