Johann Sebastian Bach, Eugen d'Albert, Peter Phillips's 'Well Tempered Clavier, Book I: Prelude No. 12 in F Minor, BWV 857 - Welte-Mignon 2965' came out on January 30, 2024. With Well Tempered Clavier, Book I: Prelude No. 12 in F Minor, BWV 857 - Welte-Mignon 2965 being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Rendezvous. Piano Revelations from the Golden Age". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Well Tempered Clavier, Book I: Prelude No. 12 in F Minor, BWV 857 - Welte-Mignon 2965's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Well Tempered Clavier, Book I: Prelude No. 12 in F Minor, BWV 857 - Welte-Mignon 2965 by Johann Sebastian Bach, Eugen d'Albert, Peter Phillips having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Romances Sans Paroles, Op. 76,: No. 6, Meditation | Cécile Chaminade, Irene Cantos | A♭ Major | 0 | 4B | 73 BPM | ||
Solfeggio in C Minor, H. 220 "Solfeggietto" | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Lieder ohne Worte, Op. 102: 5. Allegro vivace "The Joyous Peasant" | Felix Mendelssohn, András Schiff | A Major | 1 | 11B | 102 BPM | ||
Capriccio in B-Flat Major BWV 992: Vi. Fugue All Imitazione Della Cornetta Di Postiglione | Johann Sebastian Bach, Irene Cantos | G Major | 3 | 9B | 43 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Keyboard Sonata in A Major, Kk. 181 | Domenico Scarlatti, Guoda Gedvilaitė | E Minor | 0 | 9A | 81 BPM | ||
Keyboard Sonata in D Minor, Wq. 54/3, H. 184: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Ana-Marija Markovina | C Major | 1 | 8B | 108 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (October) - Duo-Art 73520 | Pyotr Ilyich Tchaikovsky, Ethel Leginska, Peter Phillips | D Minor | 0 | 7A | 68 BPM | ||
Military Marches, Op. 51: No. 1, Marche Militaire in D Major (Arr. By Tausig) - Welte-Mignon 281 | Franz Schubert, Télémaque Lambrino, Peter Phillips | G Major | 0 | 9B | 138 BPM |
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