"「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第3楽章:目覚め" by 雲井雅人サックス四重奏団 was released on October 16, 2013. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in マスランカ:ソングス・フォー・ザ・カミング・デイ&生命の奇跡, so we believe that "「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第3楽章:目覚め" is a single. 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第3楽章:目覚め is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第3楽章:目覚め by 雲井雅人サックス四重奏団 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
アンダンテ・カンタービレ(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Yoko Hasegawa | C Major | 1 | 8B | 104 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Don Giovanni, K. 527 (Excerpts Arr. for Oboe & Guitar): Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Tomoyuki Hirota, Yasuji Ohagi | C Minor | 1 | 5A | 77 BPM | ||
Brillante | Peter Graham, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | B♭ Major | 1 | 6B | 139 BPM | ||
A Fine Young Owl | Jonathan Geer | D Minor | 10 | 7A | 136 BPM | ||
リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
マウンテン・ロード: VI. 終章-人はみな死すべきもの | デイヴィッド・マスランカ, 雲井雅人サックス四重奏団 | D Major | 1 | 10B | 98 BPM | ||
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM | ||
Suite de Ballet: Passepied | Ralph Vaughan Williams, Jan Vinci, Hugh Sung, Mark Vinci, Jennifer Higdon | C Minor | 2 | 5A | 148 BPM |
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