Martino Bitti, La Camerata de Paris made "Sonata in G Minor: III. Corrente" available on 2001. The duration of Sonata in G Minor: III. Corrente is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Sonata in G Minor: III. Corrente's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 27 in Baroque: Musique instrumentale baroque (Baroque Instrumental Music) by La Camerata de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Sonata in G Minor: III. Corrente is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Sonata in G Minor: III. Corrente by Martino Bitti, La Camerata de Paris is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude Feuer | Marthe Perl, Hille Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
Violin Sonata No. 1 in C Major, TalB SV9 "Dresden": II. A tempo giusto | Martino Bitti, Kinga Ujszászi, Tom Foster | F♯ Minor | 3 | 11A | 97 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Sonata in G Minor: III. Adagio | Giovanni Buonaventura Viviani, Veronika Skuplik, Andreas Arend | B Minor | 1 | 10A | 114 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM |
Section: 0.5388972759246826
End: 0.5422346591949463