Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse
Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili
Kissine/Tchaikovsky Piano Trios
2:28 April 15, 2011
BPM
87
Key
A Major
Camelot
11B

Embed

Share Link

Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse - Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili Information

Acousticness
97%
Danceability
32%
Energy
19%
Instrumentalness
79%
Liveness
15%
Loudness
66%
Speechiness
5%
Valence
34%
Popularity
Loudness
-20.442 dB

Summary

Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili's 'Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse' came out on April 15, 2011. The duration of Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili's "Kissine/Tchaikovsky Piano Trios" album is number 9 out of 15. On top of that, Germany appears to be the country where this track was created. Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse BPM

We consider the tempo marking of Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse by Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Piano Trio in A Minor, Op. 50, TH.117: Variazione VI: Tempo di valse Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tchaikovsky: Swan Lake, Op. 20, Act 1: Pas de deux by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act 1: Pas de deuxPyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraD Major110B81 BPM
The Seasons, Op. 67, Pt. 1 The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glaceAlexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri KitayenkoC Major18B138 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro by Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia VarsoviaMozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegroWolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia VarsoviaG Minor26A114 BPM
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia"Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic OrchestraC Major28B154 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisG Major19B130 BPM
Die Fledermaus: Overture by Johann Strauss II, Bavarian State Orchestra, Carlos KleiberDie Fledermaus: OvertureJohann Strauss II, Bavarian State Orchestra, Carlos KleiberD Major210B109 BPM
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
ISRC
DEB331020209
Label
L-M Records/RCA Records

Section: 0.7983603477478027

End: 0.8023629188537598