"More words get left unsaid than get spoken" by Matt Harding was released on March 1, 2023. The duration of More words get left unsaid than get spoken is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. More words get left unsaid than get spoken's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zilch by Matt Harding. The song's track number on the album is #6 out of 9 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, More words get left unsaid than get spoken's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since More words get left unsaid than get spoken by Matt Harding has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With More words get left unsaid than get spoken being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Every Direction - White Sea Remix | Junip | C Major | 8 | 8B | 154 BPM | ||
Something's Going To Come | Adem | F Major | 7 | 7B | 140 BPM | ||
I Kill Love, Baby! | I Break Horses | C Major | 6 | 8B | 80 BPM | ||
Come Visit Me | The Rosebuds | E Minor | 6 | 9A | 118 BPM | ||
The Park | Secret Cities | F Major | 5 | 7B | 82 BPM | ||
Tokyo Late Night | Mice Parade | A♭ Major | 7 | 4B | 170 BPM | ||
Arriving | Matt Harding | F♯ Major | 7 | 2B | 120 BPM | ||
Genius And The Thieves | Eluvium | B Minor | 4 | 10A | 97 BPM | ||
Thistles and Felt | Caribou | G Major | 7 | 9B | 121 BPM | ||
Hands | Ms. John Soda | E Major | 7 | 12B | 118 BPM |
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