"Suite Italienne (From "Pulcinella"): 3. Aria" by Igor Stravinsky, Pierre Fournier, Ernest Lush was released on January 1, 2005. With this song being about 5 minutes long, at 5:12, "Suite Italienne (From "Pulcinella"): 3. Aria" by Igor Stravinsky, Pierre Fournier, Ernest Lush is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 77 in the song's album "Pierre Fournier - Aristocrat of the Cello". In this album, this song's track order is #9. In terms of popularity, Suite Italienne (From "Pulcinella"): 3. Aria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite Italienne (From "Pulcinella"): 3. Aria by Igor Stravinsky, Pierre Fournier, Ernest Lush having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 64 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte I - Une forêt | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D Minor | 0 | 7A | 141 BPM |
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