"Till Osterland (To the East) (arr. for male chorus)" by Kurt-Åke Frisk, Traditional, Lars Gustaf Hedin, Orphei Drängar, Robert Sund was released on March 31, 1997. The duration of Till Osterland (To the East) (arr. for male chorus) is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Till Osterland (To the East) (arr. for male chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Traditional Swedish Songs of Spring & Summer". In this album, this song's track order is #15. In terms of popularity, Till Osterland (To the East) (arr. for male chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Till Osterland (To the East) (arr. for male chorus) by Kurt-Åke Frisk, Traditional, Lars Gustaf Hedin, Orphei Drängar, Robert Sund having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Hole in the Wall (From Abdelazer) | Henry Purcell, Bjarte Eike, Barokksolistene | B♭ Major | 3 | 6B | 110 BPM | ||
Finlandia-Hymni | Cantus | A Major | 1 | 11B | 76 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | ||
Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 127 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Are mou rindineddha | Christina Pluhar, Traditional, L'Arpeggiata, Katerina Papadopoulou | B Minor | 2 | 10A | 81 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM |
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