Camille Pépin, Orchestre National De Lyon, Ben Glassberg's 'Avant les clartés de l'aurore: II. Que la pluie alourdit encore' came out on April 14, 2023. The duration of Avant les clartés de l'aurore: II. Que la pluie alourdit encore is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Avant les clartés de l'aurore: II. Que la pluie alourdit encore's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Camille Pépin, Orchestre National De Lyon, Ben Glassberg's "Les Eaux célestes" album is number 9 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Avant les clartés de l'aurore: II. Que la pluie alourdit encore's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Avant les clartés de l'aurore: II. Que la pluie alourdit encore by Camille Pépin, Orchestre National De Lyon, Ben Glassberg to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | ||
Faith over Fear | Marc Ezenge | F Minor | 1 | 4A | 149 BPM | ||
Prelude For Meditation | John Cage, Alexei Lubimov | D Major | 0 | 10B | 140 BPM | ||
Summa | Arvo Pärt, Royal Philharmonic Orchestra, Duncan Riddell, Abigail Fenna, Liz Varlow, Richard Harwood, James Morgan | E Minor | 0 | 9A | 75 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Aux Confins de l'orage: II. Sylphes rouges | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | D♭ Minor | 1 | 12A | 119 BPM | ||
In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 0 | 8B | 139 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Wind Chimes for Relaxation | Serene Rose | C Major | 0 | 8B | 102 BPM | ||
Violin Concerto: II. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 1 | 8A | 91 BPM |
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