"Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie" by Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron was released on March 22, 1982. The duration of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie is about 3 minutes long, at 3:02. Based on our data, "Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orquesta Filarmónica De Londres, Harry Zinman's "Mozart: Misa de Coronación, K 317 - Concierto de la Coronación No. 26, K. 537" album is number 1 out of 9. The popularity of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie by Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
レクイエム | カール・ベーム, ウィーンフィルハーモニー管弦楽団, ウィーン国立歌劇場合唱団 | F Major | 1 | 7B | 112 BPM | ||
Serenade No. 7 KV250 in DMajor "Haffner": Menuetto | Academy of St. Martin in the Fields, Iona Brown | G Major | 0 | 9B | 76 BPM | ||
Divertissement, Vorstellungen 1803: No. 6, Tempo di Minuetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Horn Concerto No. 4 in E-flat Major, K. 495: ii. Romanze: Andante cantabile | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
Requiem in B-Flat Major, MH 838: IV. Liber scriptus | Michael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Wind Quintet No. 3, Op. 88: III. Menuetto - Allegro vivo | Antoine Reicha, Academia Wind Quintet | G Major | 2 | 9B | 102 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM |
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