Joseph Haydn, Jean-Efflam Bavouzet made "Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: III. Finale. Allegro" available on April 1, 2011. The duration of Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: III. Finale. Allegro is about 3 minutes long, at 3:01. Based on our data, "Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: III. Finale. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 2" album is number 3 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: III. Finale. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: III. Finale. Allegro by Joseph Haydn, Jean-Efflam Bavouzet to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
Bassoon Concerto in F, Op.75: 3. Rondo (Allegro) | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 128 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM | ||
String Quartet In F Minor, Hob. III:35, Op.20 No.5: 2. Menuet | Joseph Haydn, Emerson String Quartet | F Major | 0 | 7B | 79 BPM |
Section: 0.6054091453552246
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