Emilie Mayer, Ewa Kupiec, Neubrandenburg Philharmonie, Sebastian Tewinkel's 'Piano Concerto in B-Flat Major: II. Un poco adagio' came out on October 5, 2018. Since Piano Concerto in B-Flat Major: II. Un poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Emilie Mayer, Various Artists, Stefan Malzew, Sebastian Tewinkel's "Mayer: Symphony No. 4, Piano Concerto, String Quartet & Piano Sonata" album is number 6 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Concerto in B-Flat Major: II. Un poco adagio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Concerto in B-Flat Major: II. Un poco adagio by Emilie Mayer, Ewa Kupiec, Neubrandenburg Philharmonie, Sebastian Tewinkel to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: I. Allegro di molto | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | E♭ Major | 2 | 5B | 138 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Concertino: III. Finale: Vivace | Grażyna Bacewicz, Piotr Plawner, Ewa Kupiec | G Major | 1 | 9B | 156 BPM | ||
Nocturne No. 4 in A Major, H.36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Nocturne in C Sharp Minor, KK IVa/16 | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 65 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 2 | 7B | 117 BPM |
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