Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra's 'Feste Romane: Symphonic Poem: IV. La Befana' came out on 1957. With this song being about 5 minutes long, at 5:11, "Feste Romane: Symphonic Poem: IV. La Befana" by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #12. In terms of popularity, Feste Romane: Symphonic Poem: IV. La Befana is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feste Romane: Symphonic Poem: IV. La Befana by Ottorino Respighi, Eugene Ormandy, Philadelphia Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Aquarelles: No. 1. Lento, ma non troppo | Frederick Delius, Eric Fenby, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 88 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Andante spianato | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | G Major | 0 | 9B | 168 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Adagio con variazioni, P. 133 | Ottorino Respighi, Pablo Ferrandez, Benedict Kloeckner, Anastasia Kobekina, Edgar Moreau, Kremerata Baltica, Heinrich Schiff | C Major | 2 | 8B | 95 BPM | ||
4 Liriche su parole di poeti armeni, P. 132 (arr. Adriano): Mattino di luce | Ottorino Respighi, Adriano, Vladimir Havran, Gabriel Koncer, Frantisek Kovacs, Ivan Paulicka, Michal Sintal, Denisa Šlepkovská, Katarina Vavrekova, Ivan Viskup | B♭ Major | 1 | 6B | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato. Tranquillo | Frédéric Chopin, Martha Argerich | G Major | 0 | 9B | 127 BPM |
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