Nelly Omar, Francisco Canaro & His Orchestra made "La cancion de Buenos Aires (The Song of Buenos Aires) [1947]" available on March 6, 2008. The duration of La cancion de Buenos Aires (The Song of Buenos Aires) [1947] is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La cancion de Buenos Aires (The Song of Buenos Aires) [1947]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The best of Argentine Tango Vol. 3 / 78 rpm recordings 1927 - 1957". In this album, this song's track order is #1. Based on our statistics, La cancion de Buenos Aires (The Song of Buenos Aires) [1947]'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La cancion de Buenos Aires (The Song of Buenos Aires) [1947] by Nelly Omar, Francisco Canaro & His Orchestra having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristeza Marina | José García Y Sus Zorros Grises | B♭ Major | 3 | 6B | 125 BPM | ||
Duelo Criollo | Nelly Omar | C Minor | 4 | 5A | 121 BPM | ||
Hasta Siempre Amor | Orquesta Carlos di Sarli, Horacio Casares | D Minor | 4 | 7A | 61 BPM | ||
No Mientas | Pablo Valle Sexteto | G Minor | 3 | 6A | 137 BPM | ||
A Quién Le Puede Importar | Angel D'Agostino | B Major | 3 | 1B | 126 BPM | ||
Barrio pobre | Nelly Omar | D Minor | 4 | 7A | 120 BPM | ||
Mi Buenos Aires Querido | Orquesta Tipica Buenos Aires | D Minor | 2 | 7A | 121 BPM | ||
El Andariego | Julio Pane | C Minor | 3 | 5A | 112 BPM | ||
Mi Dolor | Julio De Caro | D Minor | 2 | 7A | 115 BPM | ||
Casas Viejas | Charlo, Ada Falcón | D Major | 4 | 10B | 94 BPM |
Section: 2.4420695304870605
End: 2.447361469268799