- BPM
- 63
- Key
- E Major
- Camelot
- 12B
Romance, Op. 67: Adagio - Camille Saint-Saëns, Soloist of the Accademia di Santa Cecilia Rome, Akane Makita Information
- Acousticness
- 100%
- Danceability
- 22%
- Energy
- 0%
- Instrumentalness
- 94%
- Liveness
- 7%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 14%
- Popularity
- 11%
- Loudness
- -26.324 dB
Summary
"Romance, Op. 67: Adagio" by Camille Saint-Saëns, Soloist of the Accademia di Santa Cecilia Rome, Akane Makita was released on July 3, 2015. Since Romance, Op. 67: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Saint-Saëns: Chamber Music". In this album, this song's track order is #4. Romance, Op. 67: Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romance, Op. 67: Adagio BPM
With Romance, Op. 67: Adagio by Camille Saint-Saëns, Soloist of the Accademia di Santa Cecilia Rome, Akane Makita having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Romance, Op. 67: Adagio Key
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and guitar) | Anonymous , Camille Saint-Saëns, Claremont Duo | G Minor | 2 | 6A | 122 BPM | |
 | 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6777193546295166
End: 0.6815962791442871