Thomas Tipton's '"Das Rheingold": Schwüles Gedünst schwebt in der Luft; (Donner)' came out on January 1, 2005. The duration of "Das Rheingold": Schwüles Gedünst schwebt in der Luft; (Donner) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. "Das Rheingold": Schwüles Gedünst schwebt in der Luft; (Donner)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Richard Wagner: Das Rheingold". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. In terms of popularity, "Das Rheingold": Schwüles Gedünst schwebt in der Luft; (Donner) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Das Rheingold": Schwüles Gedünst schwebt in der Luft; (Donner) by Thomas Tipton having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 3 | 7A | 127 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Lohengrin, WWV 75 / Act I: "Nun sei bedankt, mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 147 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Maria Stuarda: Act I Scene 2: Si, vuol di Francia il Rege (Elisabetta) | Gaetano Donizetti, Carmela Remigio, Sonia Ganassi, Joseph Calleja, Riccardo Zanellato, Marzio Giossi, Cinzia Rizzone, Circuito Lirico Regional Chorus, Fondazione Orchestra Gaetano Donizetti Di Bergamo, Fabrizio Maria Carminati | B♭ Major | 0 | 6B | 90 BPM | ||
Elias, Op. 70: Part I: Rufet lauter! Denn er ist ja Gott! (No. 12 Rec. with Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
Rossini: Messa di Gloria: V. Laudamus te | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Eleonora Buratto | E Major | 2 | 12B | 60 BPM | ||
Tosca / Act 1: "Or tutto è chiaro..." - "Mario?! Mario?!" | Giacomo Puccini, Ingvar Wixell, Montserrat Caballé, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 3 | 5B | 70 BPM |
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