Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim's 'Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal' came out on August 10, 2018. Since Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim's "Mozart: Piano Quartets (Live At Pierre Boulez Saal)" album is number 3 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quartet No. 1 in G Minor, K. 478: III. Rondo (Allegro moderato) - Live At Pierre Boulez Saal by Wolfgang Amadeus Mozart, Michael Barenboim, Yulia Deyneka, Kian Soltani, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | E Major | 0 | 12B | 80 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM | ||
Requiem in D Minor, K. 626: 4. Offertorium: Hostias - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | C Minor | 2 | 5A | 94 BPM | ||
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM |
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