"Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Gríbki sevodnya budut? (Boris, Katerina)" by Dmitri Shostakovich, Markus Pelz, Gerhard Reiterer, Oleg Zalytskiy, Martin Müller, Thomas Kober, Janusz Monarcha, Eijiro Kai, Wolfram Igor Derntl, Franz Xaver Gruber, Jens Musger, Kurt Rydl, Nadia Krasteva, Dan Paul Dumitrescu, Marian Talaba, Angela Denoke, Sophie Marilley, Vienna State Opera Chorus, Misha Didyk, Vienna State Opera Orchestra, Donna Ellen, Michael Roider, Hans Peter Kammerer, Ingo Metzmacher was released on January 1, 2016. With this song being about 5 minutes long, at 5:15, "Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Gríbki sevodnya budut? (Boris, Katerina)" by Dmitri Shostakovich, Markus Pelz, Gerhard Reiterer, Oleg Zalytskiy, Martin Müller, Thomas Kober, Janusz Monarcha, Eijiro Kai, Wolfram Igor Derntl, Franz Xaver Gruber, Jens Musger, Kurt Rydl, Nadia Krasteva, Dan Paul Dumitrescu, Marian Talaba, Angela Denoke, Sophie Marilley, Vienna State Opera Chorus, Misha Didyk, Vienna State Opera Orchestra, Donna Ellen, Michael Roider, Hans Peter Kammerer, Ingo Metzmacher is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Shostakovich: Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District), Op. 29". In this album, this song's track order is #2. The popularity of Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Gríbki sevodnya budut? (Boris, Katerina) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ledi Makbet Mtsenskogo uyezda, Op. 29, Act I: Act I: Gríbki sevodnya budut? (Boris, Katerina) by Dmitri Shostakovich, Markus Pelz, Gerhard Reiterer, Oleg Zalytskiy, Martin Müller, Thomas Kober, Janusz Monarcha, Eijiro Kai, Wolfram Igor Derntl, Franz Xaver Gruber, Jens Musger, Kurt Rydl, Nadia Krasteva, Dan Paul Dumitrescu, Marian Talaba, Angela Denoke, Sophie Marilley, Vienna State Opera Chorus, Misha Didyk, Vienna State Opera Orchestra, Donna Ellen, Michael Roider, Hans Peter Kammerer, Ingo Metzmacher having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM |
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