Vincenzo Legrenzio Ciampi, Enrico Caruso, Josef Pasternack's 'Nina (Tre giorni son che Nina)' came out on 1990. The duration of Nina (Tre giorni son che Nina) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Nina (Tre giorni son che Nina)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Nina (Tre giorni son che Nina) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nina (Tre giorni son che Nina) by Vincenzo Legrenzio Ciampi, Enrico Caruso, Josef Pasternack is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Il viaggio a Reims: All'ombra amena | Gioachino Rossini, Olga Peretyatko, Alberto Zedda, Orchestra del Teatro Comunale di Bologna | D Major | 1 | 10B | 93 BPM | ||
Norma / Act 2: Guerra, guerra! | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | A Major | 2 | 11B | 85 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
The Last Rose of Summer | Friedrich von Flotow, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | F♯ Major | 1 | 2B | 72 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM |
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