"Vexilla Regis" by John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms was released on September 1, 1990. Vexilla Regis appears to be safe for all ages as it is not explicit. The track order of this song in John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms, London Symphony Chorus's "Ireland: Orchestral Works" album is number 5 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Vexilla Regis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vexilla Regis by John Ireland, Richard Hickox, London Symphony Orchestra, Bryn Terfel, Paula Bott, Teresa Shaw, James Oxley, Roderick elms to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Alleluia laus et gloria, IOL 8 | Orlande de Lassus, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 65 BPM | ||
Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
A Downland Suite: IV. Rondo | John Ireland, Sinfonia Of London, John Wilson | C Minor | 2 | 5A | 138 BPM | ||
Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
4 Shakespeare Songs: No. 1. Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 174 BPM |
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