David Lang, Theatre Of Voices, Paul Hillier's 'the little match girl passion: it was terribly cold' came out on May 12, 2009. The duration of the little match girl passion: it was terribly cold is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. the little match girl passion: it was terribly cold's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Lang, Theatre Of Voices, Paul Hillier, Ars Nova Copenhagen's "Lang: The Little Match Girl Passion" album is number 2 out of 19. Based on our statistics, the little match girl passion: it was terribly cold's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of the little match girl passion: it was terribly cold by David Lang, Theatre Of Voices, Paul Hillier to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Altri canti d'amor | Claudio Monteverdi, Alessandro Carmignani, Paolo Costa, Marco Scavazza, Delitiæ Musicæ, Marco Longhini | D♭ Major | 2 | 3B | 120 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
I Cross the Field (Instrumental) | Frode Andersen, David Lang | E Major | 1 | 12B | 160 BPM | ||
Stimmung: Model 22 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | A♭ Major | 0 | 4B | 129 BPM | ||
the little match girl passion: we sit and cry | David Lang, Theatre Of Voices, Paul Hillier | B♭ Minor | 1 | 3A | 145 BPM | ||
Amjad Sleeping Panorama | David Lang, Njo Kong Kie, Jennifer Thiessen, Jill Van Gee, Elisabeth Giroux | B♭ Minor | 7 | 3A | 105 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Gioite voi col canto | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | A Minor | 1 | 8A | 134 BPM |
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