Carl Friedrich Zelter, Bettina Pahn, Tini Mathot's 'Wo geht's Liebchen (Mailied)' came out on May 4, 2015. With Wo geht's Liebchen (Mailied) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 23 in Es war ein König in Thule by Bettina Pahn, Tini Mathot. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Wo geht's Liebchen (Mailied)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wo geht's Liebchen (Mailied) by Carl Friedrich Zelter, Bettina Pahn, Tini Mathot is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in E-Flat Major: III. Rondo: Un poco moderato | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | E♭ Major | 1 | 5B | 85 BPM | ||
The Indian Queen, Z. 630: Trumpet Tune | Henry Purcell, Stephane Beaulac, Vincent Boucher | A Minor | 2 | 8A | 127 BPM | ||
Boellmann: Suite gothique: Toccata | Conrad Zwicky | F Minor | 2 | 4A | 132 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM | ||
Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | ||
Um Mitternacht | Carl Friedrich Zelter, Dietrich Fischer-Dieskau, Jörg Demus | D Major | 0 | 10B | 71 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 1. He, Zigeuner, greife in die Saiten | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | A Minor | 2 | 8A | 80 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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