"Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova was released on 1994. With this song being about 5 minutes long, at 4:51, "Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #30 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Tunde Franko, Anita Bader, Jaroslava Horska, Jolana Fogasova has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Op. 4, Act III, Scene 5: Marzo è giunto, e febbraio gito se n'è col ghiado (Garsenda, Biancofiore, Adonella, Altichiara, Francesca) being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'italiana in Algeri: Atto I. Duetto. Se inclinassi a prender moglie | Gioachino Rossini, Alasdair Kent, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | D Major | 2 | 10B | 148 BPM | ||
Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Lorena Espina, Jaroslava Horska, Anita Bader, Tunde Franko | D♭ Major | 0 | 3B | 147 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Verdi: Il trovatore, Act 1: "All'erta! all'erta!" (Ferrando, Chorus) | Giuseppe Verdi, Antonio Pappano, Ildebrando D'Arcangelo, London Symphony Orchestra | C Major | 1 | 8B | 126 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Adriana Lecouvreur / Act 1: "Del sultano Amuratte..." - Io son l'umile ancella | Francesco Cilea, Renata Tebaldi, Silvio Maionica, Franco Ricciardi, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 167 BPM | ||
Canto d'anime, SC 75 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Il Trovatore / Act 2: "Soli or siamo"..."Condotta ell'era in ceppi" - Live | Giuseppe Verdi, Giulietta Simionato, Franco Corelli, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | ||
Le nozze di Figaro, K. 492: Voi che sapete (Cherubino) | Wolfgang Amadeus Mozart, Marina Viotti, Gli Angeli Genève, Stephan MacLeod | D Minor | 1 | 7A | 165 BPM |
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