"Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live" by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza, Sondra Radvanovsky, Russell Thomas, Elizabeth DeShong, Lyric Opera of Chicago Orchestra was released on June 30, 2021. The duration of Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 45 in Bellini: Norma (Live) by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza. Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza, Sondra Radvanovsky, Russell Thomas, Elizabeth DeShong, Lyric Opera of Chicago Orchestra is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Norma, Act I: "Casta diva" | Vincenzo Bellini, Leontyne Price, Henry Lewis | F Major | 1 | 7B | 178 BPM | ||
I Puritani / Act 3: Credeasi, misera! | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 86 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 69 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Casta Diva | Felice Romani, Vincenzo Bellini, Maria Hanke, Tonya Lemoh | F Major | 1 | 7B | 111 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM |
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