"Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live" by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza, Sondra Radvanovsky, Russell Thomas, Elizabeth DeShong, Lyric Opera of Chicago Orchestra was released on June 30, 2021. The duration of Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 45 in Bellini: Norma (Live) by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza. Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma: Act 1: Vanne, sì, mi lascia, indegno (Norma, Pollione, Adalgisa, Chorus) - Live by Vincenzo Bellini, Lyric Opera of Chicago, Riccardo Frizza, Sondra Radvanovsky, Russell Thomas, Elizabeth DeShong, Lyric Opera of Chicago Orchestra is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
La Sonnambula / Act 1: Come per me sereno oggi rinacque il dì! | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 1 | 5B | 83 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM |
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