Pieter Jan Leusink, Sytse Buwalda, Eduard Wesley, Teunis van der Zwart, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Holland Boys Choir; Netherlands Bach Collegium's 'I. Erforsche Mich, Gott, Und Erfahre Mein Herz BWV 136, (3) Aria (Alto): Es Kommt Ein Tag' came out on December 20, 2006. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 19 in Bach Cantatas (Complete) Part: 40 by Pieter Jan Leusink. In terms of popularity, I. Erforsche Mich, Gott, Und Erfahre Mein Herz BWV 136, (3) Aria (Alto): Es Kommt Ein Tag is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I. Erforsche Mich, Gott, Und Erfahre Mein Herz BWV 136, (3) Aria (Alto): Es Kommt Ein Tag by Pieter Jan Leusink, Sytse Buwalda, Eduard Wesley, Teunis van der Zwart, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Holland Boys Choir; Netherlands Bach Collegium is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 139 BPM | ||
Kuoro, Katselen Golgatalle Päin | Heikki Rainio, Ari Rautakoski, Cantio Laudis -kuoro, Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 9, Choral "Ach, wie hungert mein Gemüte" | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A Major | 1 | 11B | 81 BPM |
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