Aaron Dembski-Bowden, Felix Würgler made "Track 11 - Warhammer 40,000 - Night Lords 1: Seelenjäger" available on January 23, 2021. The duration of Track 11 - Warhammer 40,000 - Night Lords 1: Seelenjäger is about 3 minutes long, at 3:02. Based on our data, "Track 11 - Warhammer 40,000 - Night Lords 1: Seelenjäger" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 282 in the song's album "Seelenjäger (Warhammer 40,000 - Night Lords 1)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Based on our statistics, Track 11 - Warhammer 40,000 - Night Lords 1: Seelenjäger's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Track 11 - Warhammer 40,000 - Night Lords 1: Seelenjäger by Aaron Dembski-Bowden, Felix Würgler having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Track 121 - Falsche Erlösung - The Horus Heresy 18 | Gav Thorpe, Tom Jacobs | E♭ Minor | 2 | 2A | 124 BPM | ||
Ein Kurt-Wallander-Krimi, Folge 2: Mörder ohne Gesicht, Teil 17.3 & Ein Kurt-Wallander-Krimi, Folge 2: Mörder ohne Gesicht, Teil 18.1 - Mörder ohne Gesicht | Henning Mankell, Ulrich Pleitgen, Ein Kurt-Wallander-Krimi | A♭ Minor | 2 | 1A | 141 BPM | ||
Teil 10 - Oster Special: Das goldene Osterei | Sherlock Holmes Chronicles, Arthur Conan Doyle, Tom Jacobs, Till Hagen, Margot Rothweiler, Lutz Mackensy | D Major | 3 | 10B | 75 BPM | ||
Track 104 - Der Erste Ketzer - The Horus Heresy 14 | Aaron Dembski-Bowden, Tom Jacobs | C Major | 2 | 8B | 131 BPM | ||
Teil 14 - Folge 91: Das Mörder-Moor | Sherlock Holmes Chronicles, Peter Neal, Tom Jacobs, Till Hagen, Erich Räuker, Bodo Wolf, Anita Hopt | D♭ Major | 6 | 3B | 87 BPM | ||
Kapitel 6 - Todesfeuer - The Horus Heresy 32 | Nick Kyme, Tom Jacobs | A Minor | 2 | 8A | 96 BPM | ||
Kapitel 111 - Verräter - The Horus Heresy 24 | Aaron Dembski-Bowden, Tom Jacobs | D♭ Major | 9 | 3B | 145 BPM | ||
Kapitel 14.3 & Kapitel 15.1 - Der Mann, der lächelte | Henning Mankell | B Minor | 3 | 10A | 124 BPM | ||
Kapitel 143 - White Scars - The Horus Heresy 28 | Chris Wraight, Tom Jacobs | B♭ Minor | 2 | 3A | 94 BPM | ||
Track 46 - Kenne keine Furcht - The Horus Heresy 19 | Dan Abnett, Tom Jacobs | A Minor | 3 | 8A | 132 BPM |
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