"Tonight (From "West Side Story") [Arr. Tommy Tycho]" by Leonard Bernstein, Tommy Tycho, Stephen Sondheim, Lisa McCune, David Hobson, Tasmanian Symphony Orchestra, Guy Noble was released on August 21, 2015. With this song being about 5 minutes long, at 5:05, "Tonight (From "West Side Story") [Arr. Tommy Tycho]" by Leonard Bernstein, Tommy Tycho, Stephen Sondheim, Lisa McCune, David Hobson, Tasmanian Symphony Orchestra, Guy Noble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 14 in From Broadway to La Scala by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Tonight (From "West Side Story") [Arr. Tommy Tycho] is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tonight (From "West Side Story") [Arr. Tommy Tycho] by Leonard Bernstein, Tommy Tycho, Stephen Sondheim, Lisa McCune, David Hobson, Tasmanian Symphony Orchestra, Guy Noble is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Fancy Free Ballet: I. Enter Three Sailors | Leonard Bernstein | G Minor | 3 | 6A | 105 BPM | ||
Porgy and Bess / Act 1: Introduction - Jazzbo Brown Blues | George Gershwin, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 136 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM |
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