"& Ground" by Tibor Szemző was released on 1998. With this song being about 5 minutes long, at 5:01, "& Ground" by Tibor Szemző is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Relative Things: Selected Soundscapes (1994-97)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, & Ground's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With & Ground by Tibor Szemző having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gorgeous Curves Lovely Fragments Labyrinthed On Occasions Entwined Charms, A Few Stories At Any Longer Sworn to Gathered from a Guileless Angel and the Hilt Edges of Old Hearts, If They Do in the Guilt of Deep Despondency. | Akira Rabelais | B Major | 0 | 1B | 74 BPM | ||
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Old Wave | Laurie Spiegel | D♭ Major | 0 | 3B | 170 BPM | ||
Orff-Schulwerk: Spielstücke für Xylophon, No. 15 | Gunild Keetman, Various Artists, Ilya Kater, Stuttgart Piano Trio, Jen? Jandó, Janos Sebestyen, Karl Peinkofer Percussion Ensemble, Slovak Philharmonic, English String Orchestra, Polish National Radio Symphony Orchestra, Czecho-Slovak Symphony Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Facades (Remix) - Specially Mixed for Your Personal Cassette Player | Philip Glass, Philip Glass Ensemble, Michael Riesman | B♭ Major | 1 | 6B | 120 BPM | ||
Clapping Music | Steve Reich, Russell Hartenberger | D♭ Major | 10 | 3B | 93 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
Happy Whistler (Edit) | Group Listening | F Minor | 1 | 4A | 82 BPM |
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