- BPM
- 82
- Key
- A Major
- Camelot
- 11B
It Would Have Been Wonderful (Act Two) - Alexander Hanson, Aaron Lazar Information
- Acousticness
- 88%
- Danceability
- 52%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 75%
- Speechiness
- 33%
- Valence
- 42%
- Popularity
- 11%
- Loudness
- -15.19 dB
Summary
Alexander Hanson, Aaron Lazar's ' "It Would Have Been Wonderful (Act Two)" was released on its scheduled release date, April 2, 2010. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 25 in A Little Night Music by Stephen Sondheim. It Would Have Been Wonderful (Act Two) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
It Would Have Been Wonderful (Act Two) BPM
The tempo marking of It Would Have Been Wonderful (Act Two) by Alexander Hanson, Aaron Lazar is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
It Would Have Been Wonderful (Act Two) Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Get Me to the Church on Time | Stanley Holloway | D Major | 4 | 10B | 115 BPM | |
 | The Lonely Goatherd | Connie Fisher, 'The Sound Of Music' 2006 London Palladium Cast | F Major | 3 | 7B | 99 BPM | |
 | The Letter - Reprise | Original Cast of Billy Elliot | A Minor | 1 | 8A | 75 BPM | |
 | 1776: Overture | Sherman Edwards, 1776 Orchestra, Peter Howard | B Major | 5 | 1B | 121 BPM | |
 | Overture "Once Upon A Mattress" | Mary Rodgers, Art Wagner | G Major | 3 | 9B | 85 BPM | |
 | Finale "Les Miserables" | Robert Billig | C Minor | 1 | 5A | 81 BPM | |
 | Sånger ur Majas alfabet: Jordgubbe | Anders Hogstedt, Kerstin Andeby, Augusta Kling, Alice Nordin, Nadya Albertsson, Simon Edenroth, Adolf Fredriks Musikklasser, Royal Stockholm Philharmonic Orchestra, Alexander Hanson | A Minor | 3 | 8A | 102 BPM | |
 | The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | |
 | The Music Man, Overture | New York City Opera Orchestra, Paul Gemignani | C Major | 3 | 8B | 134 BPM | |
 | Orfeus i sta'n, Op. 75: VII. Finale | Hilding Rosenberg, Norrköping Symphony Orchestra, Alexander Hanson | C Major | 2 | 8B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records