Marco Dall'Aquila, Paul O'Dette made "Il est bel et bon (Passereau; arr. L'Aquila)" available on October 10, 1994. The duration of Il est bel et bon (Passereau; arr. L'Aquila) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Il est bel et bon (Passereau; arr. L'Aquila)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul O'Dette's "Lute Music, Volume 2: Early Italian Renaissance Music" album is number 10 out of 28. On top of that, United States appears to be the country where this track was created. Based on our statistics, Il est bel et bon (Passereau; arr. L'Aquila)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Il est bel et bon (Passereau; arr. L'Aquila) by Marco Dall'Aquila, Paul O'Dette to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 0 | 12A | 86 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Pavane | Pierre Attaingnant, Ronn McFarlane | G Minor | 1 | 6A | 96 BPM | ||
Dolce Memoria | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Dances: Galliard [12] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 0 | 8B | 158 BPM | ||
Fantasia in D Major | David Kellner, Alberto Crugnola | D♭ Major | 1 | 3B | 93 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Chaconne | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | A Major | 0 | 11B | 116 BPM | ||
Suonata: Sarabanda | Giovanni Zamboni, Edin Karamazov | A♭ Major | 0 | 4B | 78 BPM |
Section: 0.5354845523834229
End: 0.5393064022064209