Jim Perkins's 'Junk Bonds' came out on March 29, 2017. The duration of Junk Bonds is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Junk Bonds's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 2 in the song's album "Pairs". In this album, this song's track order is #2. Junk Bonds is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Junk Bonds by Jim Perkins having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Never A Lover | Clem Leek | D Major | 4 | 10B | 101 BPM | ||
The Air in Time | Rachel Grimes | E Minor | 2 | 9A | 114 BPM | ||
Pour Les Oiseaux | Sylvain Chauveau | C Minor | 1 | 5A | 70 BPM | ||
Interlude I | Felix Rösch | F Minor | 1 | 4A | 122 BPM | ||
Saudade (When We Are Born) | Ólafur Arnalds | D Major | 0 | 10B | 100 BPM | ||
The Waiting Room | Jim Perkins, Daisuke Tanabe | D Major | 0 | 10B | 68 BPM | ||
Triptych III | Lotte Pen, Nora Fischer | G Minor | 3 | 6A | 79 BPM | ||
Transfiguration | Jim Perkins, Tony Woollard, Aisha Orazbayeva | E♭ Major | 1 | 5B | 140 BPM | ||
Igarka - Instrumental Version | Ansatz Der Maschine | A Minor | 2 | 8A | 117 BPM | ||
Circle 19 - Midori Hirano Rework | Robot Koch, Foam and Sand, Midori Hirano | B♭ Minor | 3 | 3A | 100 BPM |
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