On March 3, 2015, the song "Ding Dong Daddy from Dumas (feat. Robert Earl Keen & Ray Benson)" was released by Asleep At The Wheel, Robert Earl Keen, Ray Benson. The duration of Ding Dong Daddy from Dumas (feat. Robert Earl Keen & Ray Benson) is about 3 minutes long, at 3:25. Based on our data, "Ding Dong Daddy from Dumas (feat. Robert Earl Keen & Ray Benson)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys". In this album, this song's track order is #17. In terms of popularity, Ding Dong Daddy from Dumas (feat. Robert Earl Keen & Ray Benson) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ding Dong Daddy from Dumas (feat. Robert Earl Keen & Ray Benson) by Asleep At The Wheel, Robert Earl Keen, Ray Benson having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Talkin At The Texaco | James McMurtry | B Minor | 6 | 10A | 126 BPM | ||
On a Slow Train Through Arkansas | Chuck Mead | A Major | 7 | 11B | 120 BPM | ||
Leave The Lonely Alone | James Hand | G Major | 4 | 9B | 105 BPM | ||
Mama Don't Allow No Music | Doc Watson | A Major | 8 | 11B | 133 BPM | ||
Get a Little Gonner | Bill Kirchen | G Major | 8 | 9B | 110 BPM | ||
Knee Deep in the Wakarusa River | Chuck Mead | A Major | 7 | 11B | 120 BPM | ||
Gatsby's Restaurant | June Carter Cash | G Major | 7 | 9B | 97 BPM | ||
Hangover Tavern | Hank Thompson, Hank Thompson And His Brazos Valley Boys | B♭ Major | 5 | 6B | 83 BPM | ||
Live Free or Die | Hayes Carll | D Major | 5 | 10B | 173 BPM | ||
What Would Willie Do | Bruce Robison | E Major | 5 | 12B | 115 BPM |
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